Albanian hip hop
Most popular artists in Albanian hip hop
This chart is based on the monthly listeners metric for all artists tagged with the genre albanian hip hop by Spotify. It may contain some errors or some data may not be up to date. You can check the artist profile to update data if necessary.
# | Artist | Monthly Listeners | Followers |
---|---|---|---|
1
|
4,646,250
|
1,226,175
|
|
2
|
3,541,081
|
719,780
|
|
3
|
2,294,194
|
1,422,050
|
|
4
|
1,993,299
|
456,011
|
|
5
|
1,498,392
|
932,420
|
|
6
|
1,446,906
|
772,319
|
|
7
|
1,403,337
|
154,403
|
|
8
|
1,388,007
|
1,021,263
|
|
9
|
1,121,097
|
213,174
|
|
10
|
906,771
|
416,289
|
|
11
|
821,465
|
290,288
|
|
12
|
611,288
|
284,895
|
|
13
|
585,024
|
133,091
|
|
14
|
435,126
|
268,349
|
|
15
|
390,618
|
237,031
|
|
16
|
347,187
|
109,317
|
|
17
|
313,979
|
182,487
|
|
18
|
281,290
|
187,285
|
|
19
|
260,248
|
22,942
|
|
20
|
252,840
|
108,611
|
|
21
|
243,154
|
129,101
|
|
22
|
241,140
|
92,589
|
|
23
|
238,824
|
114,894
|
|
24
|
224,065
|
86,141
|
|
25
|
221,763
|
95,536
|
|
26
|
216,059
|
43,442
|
|
27
|
199,603
|
63,464
|
|
28
|
182,879
|
161,886
|
|
29
|
166,617
|
117,098
|
|
30
|
159,583
|
164,842
|
|
31
|
150,579
|
72,771
|
|
32
|
123,274
|
35,679
|
|
33
|
121,708
|
125,873
|
|
34
|
118,508
|
113,253
|
|
35
|
104,531
|
25,659
|
|
36
|
100,165
|
51,201
|
|
37
|
98,141
|
78,906
|
|
38
|
95,567
|
22,596
|
|
39
|
91,296
|
126,788
|
|
40
|
74,204
|
26,686
|
|
41
|
71,453
|
37,538
|
|
42
|
70,480
|
31,409
|
|
43
|
66,945
|
27,054
|
|
44
|
65,055
|
15,533
|
|
45
|
63,646
|
55,265
|
|
46
|
62,116
|
42,666
|
|
47
|
56,874
|
6,448
|
|
48
|
53,574
|
39,924
|
|
49
|
50,531
|
28,642
|
|
50
|
45,184
|
18,657
|
|
51
|
44,661
|
17,436
|
|
52
|
42,734
|
57,598
|
|
53
|
39,771
|
11,839
|
|
54
|
39,292
|
8,509
|
|
55
|
37,936
|
54,075
|
|
56
|
37,905
|
12,563
|
|
57
|
34,951
|
12,755
|
|
58
|
32,687
|
2,269
|
|
59
|
29,844
|
20,472
|
|
60
|
29,285
|
17,947
|
|
61
|
27,980
|
47,475
|
|
62
|
24,820
|
862
|
|
63
|
23,584
|
11,228
|
|
64
|
23,031
|
1,377
|
|
65
|
22,658
|
10,711
|
|
66
|
22,245
|
16,390
|
|
67
|
19,007
|
3,487
|
|
68
|
18,930
|
6,147
|
|
69
|
18,864
|
25,665
|
|
70
|
18,632
|
40,877
|
|
71
|
18,463
|
2,677
|
|
72
|
18,030
|
1,073
|
|
73
|
17,015
|
3,849
|
|
74
|
15,946
|
396
|
|
75
|
15,365
|
6,058
|
|
76
|
15,199
|
25,228
|
|
77
|
15,070
|
28,007
|
|
78
|
12,569
|
1,909
|
|
79
|
12,308
|
15,690
|
|
80
|
12,136
|
2,951
|
|
81
|
11,718
|
13,272
|
|
82
|
10,803
|
6,957
|
|
83
|
10,649
|
9,883
|
|
84
|
9,938
|
5,315
|
|
85
|
9,265
|
332
|
|
86
|
8,064
|
5,613
|
|
87
|
7,882
|
10,773
|
|
88
|
7,775
|
16,892
|
|
89
|
7,580
|
3,365
|
|
90
|
7,235
|
5,698
|
|
91
|
6,771
|
21,207
|
|
92
|
6,723
|
847
|
|
93
|
6,203
|
11,120
|
|
94
|
5,914
|
1,798
|
|
95
|
5,721
|
1,741
|
|
96
|
5,715
|
364
|
|
97
|
5,307
|
6,114
|
|
98
|
5,231
|
1,712
|
|
99
|
5,007
|
1,282
|
|
100
|
4,708
|
2,350
|
|
101
|
4,351
|
1,800
|
|
102
|
4,217
|
7,691
|
|
103
|
3,678
|
12,081
|
|
104
|
3,304
|
3,461
|
|
105
|
3,227
|
526
|
|
106
|
2,933
|
4,684
|
|
107
|
2,885
|
1,051
|
|
108
|
2,732
|
6,268
|
|
109
|
2,407
|
1,348
|
|
110
|
2,243
|
596
|
|
111
|
2,190
|
3,428
|
|
112
|
1,963
|
893
|
|
113
|
1,604
|
3,438
|
|
114
|
1,556
|
395
|
|
115
|
1,496
|
6,028
|
|
116
|
1,462
|
1,393
|
|
117
|
1,041
|
510
|
|
118
|
1,025
|
206
|
|
119
|
656
|
832
|
|
120
|
642
|
279
|
|
121
|
271
|
4,004
|
|
122
|
269
|
569
|
|
123
|
186
|
87
|
|
124
|
62
|
224
|
|
125
|
48
|
7,012
|
|
126
|
14
|
2,440
|
|
127
|
1
|
394
|
Some info about albanian hip hop
Albanian hip hop is a vibrant and dynamic genre that has carved a unique space in the broad tapestry of global music. Emerging in the early 1990s from the streets of Kosovo, Albania, and the Albanian diaspora spread across North Macedonia, Montenegro, and beyond, this genre blends the traditional elements of hip hop with distinct Albanian cultural influences, languages, and musical traditions. The genre's development paralleled the political and social upheavals in the region, providing a voice to the youth amidst the struggles of post-communist transition and identity reformation.
The birth of Albanian hip hop can be traced back to the urban centers such as Tirana, the capital of Albania, and Prishtina, the capital of Kosovo. During the early 90s, as Albania opened up after decades of isolation under a strict communist regime, Western music began to permeate through the iron curtains, bringing genres like pop, rock, and significantly, hip hop into the Albanian cultural sphere. Young artists and groups began experimenting by incorporating the rhythmic spoken word of rap with local musical elements, thereby creating a sound that resonated with both the familiarity of Albanian music and the rebellious, expressive vibe of Western hip hop.
Key artists who have shaped and propelled the genre to its prominence include pioneers like Unikkatil and Tingulli 3 in Kosovo, and the Albanian group Ritmi i Rrugës. Unikkatil, often revered as the godfather of Albanian Hip Hop, began his career in the late 90s and was pivotal in laying down the foundational ethos of the genre. His lyrics often revolved around themes of social injustice, national identity, and urban life, resonating deeply with the Albanian youth. In Albania, Noizy, another major figure in the industry, gained immense popularity not only within national boundaries but also among the extensive Albanian diaspora in countries like Switzerland, Germany, and Italy. His music blends aggressive rap sequences with catchy beats, and his lyrics often touch upon his early life struggles, ambition, and success.
The genre is most popular in Kosovo and Albania, where it not only dominates the charts but is also a significant part of cultural discussions and youth identity. Among the diaspora in Europe and North America, Albanian hip hop serves as a cultural connector, linking young generations to their heritage while also providing a platform for expressing contemporary concerns and experiences.
In recent years, Albanian hip hop has seen a diversification within its own ranks, with sub-genres and newer influences blending in as artists experiment with electronic music, reggae, and R&B elements. The genre has been instrumental in shaping a new cultural narrative for Albanians worldwide, melding traditional Albanian musical motifs with the global language of hip hop.
Albanian hip hop continues to grow, evolve, and influence not only the music industry in the Balkans but also contributes to the global music scene, as its artists collaborate with international names and perform on larger stages around the world. This genre stands as a testament to the resilience and creativity of the Albanian-speaking world, and its journey from a niche musical expression to a defining element of youth culture and music shines as an example of how music can transcend borders and historical contingencies.
The birth of Albanian hip hop can be traced back to the urban centers such as Tirana, the capital of Albania, and Prishtina, the capital of Kosovo. During the early 90s, as Albania opened up after decades of isolation under a strict communist regime, Western music began to permeate through the iron curtains, bringing genres like pop, rock, and significantly, hip hop into the Albanian cultural sphere. Young artists and groups began experimenting by incorporating the rhythmic spoken word of rap with local musical elements, thereby creating a sound that resonated with both the familiarity of Albanian music and the rebellious, expressive vibe of Western hip hop.
Key artists who have shaped and propelled the genre to its prominence include pioneers like Unikkatil and Tingulli 3 in Kosovo, and the Albanian group Ritmi i Rrugës. Unikkatil, often revered as the godfather of Albanian Hip Hop, began his career in the late 90s and was pivotal in laying down the foundational ethos of the genre. His lyrics often revolved around themes of social injustice, national identity, and urban life, resonating deeply with the Albanian youth. In Albania, Noizy, another major figure in the industry, gained immense popularity not only within national boundaries but also among the extensive Albanian diaspora in countries like Switzerland, Germany, and Italy. His music blends aggressive rap sequences with catchy beats, and his lyrics often touch upon his early life struggles, ambition, and success.
The genre is most popular in Kosovo and Albania, where it not only dominates the charts but is also a significant part of cultural discussions and youth identity. Among the diaspora in Europe and North America, Albanian hip hop serves as a cultural connector, linking young generations to their heritage while also providing a platform for expressing contemporary concerns and experiences.
In recent years, Albanian hip hop has seen a diversification within its own ranks, with sub-genres and newer influences blending in as artists experiment with electronic music, reggae, and R&B elements. The genre has been instrumental in shaping a new cultural narrative for Albanians worldwide, melding traditional Albanian musical motifs with the global language of hip hop.
Albanian hip hop continues to grow, evolve, and influence not only the music industry in the Balkans but also contributes to the global music scene, as its artists collaborate with international names and perform on larger stages around the world. This genre stands as a testament to the resilience and creativity of the Albanian-speaking world, and its journey from a niche musical expression to a defining element of youth culture and music shines as an example of how music can transcend borders and historical contingencies.