Dubstep
Most popular artists in Dubstep
This chart is based on the monthly listeners metric for all artists tagged with the genre dubstep by Spotify. It may contain some errors or some data may not be up to date. You can check the artist profile to update data if necessary.
# | Artist | Monthly Listeners | Followers |
---|---|---|---|
1
|
6,136,010
|
542,572
|
|
2
|
2,119,815
|
618,193
|
|
3
|
1,619,242
|
505,698
|
|
4
|
1,064,970
|
131,154
|
|
5
|
936,125
|
130,948
|
|
6
|
852,076
|
246,965
|
|
7
|
828,856
|
46,206
|
|
8
|
707,303
|
149,112
|
|
9
|
695,930
|
160,477
|
|
10
|
684,738
|
238,908
|
|
11
|
659,181
|
146,034
|
|
12
|
645,512
|
563,620
|
|
13
|
638,374
|
132,500
|
|
14
|
633,388
|
105,245
|
|
15
|
632,825
|
25,005
|
|
16
|
620,745
|
347,214
|
|
17
|
615,809
|
62,934
|
|
18
|
591,030
|
82,167
|
|
19
|
589,246
|
123,257
|
|
20
|
506,316
|
234,279
|
|
21
|
500,772
|
63,058
|
|
22
|
473,931
|
76,846
|
|
23
|
464,216
|
83,544
|
|
24
|
440,121
|
38,277
|
|
25
|
415,381
|
111,949
|
|
26
|
408,317
|
138,780
|
|
27
|
407,733
|
114,346
|
|
28
|
405,902
|
37,629
|
|
29
|
387,870
|
156,977
|
|
30
|
376,169
|
125,042
|
|
31
|
376,160
|
175,205
|
|
32
|
357,722
|
67,542
|
|
33
|
347,810
|
196,531
|
|
34
|
335,914
|
25,757
|
|
35
|
317,985
|
44,973
|
|
36
|
311,629
|
108,478
|
|
37
|
286,767
|
72,403
|
|
38
|
285,078
|
70,006
|
|
39
|
279,180
|
44,607
|
|
40
|
272,915
|
73,870
|
|
41
|
246,606
|
56,674
|
|
42
|
242,672
|
88,055
|
|
43
|
233,629
|
210,355
|
|
44
|
220,768
|
131,078
|
|
45
|
215,729
|
157,573
|
|
46
|
214,701
|
186,530
|
|
47
|
207,314
|
115,057
|
|
48
|
206,677
|
102,390
|
|
49
|
205,772
|
144,162
|
|
50
|
195,652
|
26,278
|
|
51
|
188,348
|
156,011
|
|
52
|
185,613
|
70,881
|
|
53
|
174,134
|
23,546
|
|
54
|
173,888
|
40,998
|
|
55
|
173,043
|
79,060
|
|
56
|
172,126
|
65,170
|
|
57
|
165,900
|
74,746
|
|
58
|
165,432
|
11,433
|
|
59
|
156,342
|
18,350
|
|
60
|
153,435
|
73,965
|
|
61
|
153,346
|
42,818
|
|
62
|
145,775
|
60,815
|
|
63
|
145,279
|
26,998
|
|
64
|
143,178
|
23,492
|
|
65
|
143,009
|
41,303
|
|
66
|
139,079
|
14,385
|
|
67
|
138,463
|
94,486
|
|
68
|
135,041
|
29,747
|
|
69
|
126,094
|
43,024
|
|
70
|
123,834
|
46,911
|
|
71
|
121,522
|
17,432
|
|
72
|
111,271
|
19,145
|
|
73
|
110,374
|
29,643
|
|
74
|
109,618
|
113,950
|
|
75
|
107,311
|
60,096
|
|
76
|
101,896
|
8,862
|
|
77
|
99,763
|
28,980
|
|
78
|
99,265
|
101,757
|
|
79
|
93,510
|
12,528
|
|
80
|
92,965
|
24,314
|
|
81
|
91,296
|
23,968
|
|
82
|
90,874
|
38,929
|
|
83
|
90,609
|
36,777
|
|
84
|
89,784
|
37,176
|
|
85
|
88,177
|
55,071
|
|
86
|
84,980
|
33,260
|
|
87
|
84,736
|
26,969
|
|
88
|
83,809
|
8,332
|
|
89
|
83,746
|
21,609
|
|
90
|
81,180
|
7,944
|
|
91
|
79,726
|
33,586
|
|
92
|
79,372
|
7,669
|
|
93
|
79,294
|
5,891
|
|
94
|
77,610
|
20,810
|
|
95
|
77,558
|
95,673
|
|
96
|
76,917
|
8,077
|
|
97
|
75,715
|
12,123
|
|
98
|
72,082
|
11,011
|
|
99
|
72,048
|
31,977
|
|
100
|
71,591
|
71,544
|
|
101
|
70,293
|
52,465
|
|
102
|
70,248
|
68,884
|
|
103
|
69,288
|
30,000
|
|
104
|
68,325
|
17,917
|
|
105
|
67,241
|
10,426
|
|
106
|
66,952
|
14,130
|
|
107
|
65,723
|
19,046
|
|
108
|
63,888
|
19,249
|
|
109
|
63,650
|
23,787
|
|
110
|
63,425
|
9,835
|
|
111
|
62,403
|
23,586
|
|
112
|
62,184
|
16,774
|
|
113
|
62,105
|
16,679
|
|
114
|
61,102
|
42,748
|
|
115
|
60,398
|
14,823
|
|
116
|
59,729
|
73,491
|
|
117
|
59,115
|
18,026
|
|
118
|
56,089
|
33,342
|
|
119
|
55,262
|
13,481
|
|
120
|
53,442
|
14,329
|
|
121
|
53,370
|
8,032
|
|
122
|
53,330
|
47,641
|
|
123
|
52,981
|
23,873
|
|
124
|
52,762
|
7,504
|
|
125
|
52,538
|
42,860
|
|
126
|
51,472
|
36,048
|
|
127
|
50,357
|
13,733
|
|
128
|
48,970
|
33,915
|
|
129
|
48,641
|
32,536
|
|
130
|
48,391
|
5,909
|
|
131
|
47,831
|
11,773
|
|
132
|
46,293
|
10,601
|
|
133
|
42,835
|
7,169
|
|
134
|
41,537
|
18,597
|
|
135
|
41,066
|
7,632
|
|
136
|
40,480
|
9,149
|
|
137
|
39,009
|
13,439
|
|
138
|
38,275
|
8,434
|
|
139
|
37,686
|
9,955
|
|
140
|
37,403
|
25,388
|
|
141
|
36,333
|
7,799
|
|
142
|
36,332
|
8,704
|
|
143
|
35,577
|
40,024
|
|
144
|
34,703
|
7,118
|
|
145
|
34,291
|
17,763
|
|
146
|
34,189
|
11,964
|
|
147
|
33,748
|
15,919
|
|
148
|
33,697
|
7,696
|
|
149
|
33,158
|
5,350
|
|
150
|
32,927
|
5,198
|
|
151
|
32,774
|
34,654
|
|
152
|
32,553
|
17,744
|
|
153
|
32,358
|
10,574
|
|
154
|
31,208
|
12,726
|
|
155
|
31,171
|
3,635
|
|
156
|
30,817
|
37,387
|
|
157
|
30,774
|
5,470
|
|
158
|
30,307
|
38,167
|
|
159
|
30,244
|
9,424
|
|
160
|
30,221
|
2,766
|
|
161
|
29,701
|
40,715
|
|
162
|
29,109
|
17,034
|
|
163
|
28,240
|
13,147
|
|
164
|
28,176
|
4,491
|
|
165
|
26,799
|
11,703
|
|
166
|
26,209
|
21,278
|
|
167
|
25,998
|
58,254
|
|
168
|
25,933
|
3,413
|
|
169
|
25,133
|
14,604
|
|
170
|
24,615
|
6,036
|
|
171
|
24,122
|
6,363
|
|
172
|
23,189
|
18,586
|
|
173
|
22,490
|
12,607
|
|
174
|
22,195
|
5,179
|
|
175
|
21,473
|
7,993
|
|
176
|
20,660
|
16,013
|
|
177
|
20,147
|
10,617
|
|
178
|
20,077
|
8,717
|
|
179
|
19,811
|
8,357
|
|
180
|
19,477
|
3,887
|
|
181
|
19,471
|
1,526
|
|
182
|
19,288
|
26,171
|
|
183
|
17,743
|
11,451
|
|
184
|
17,645
|
9,221
|
|
185
|
17,308
|
8,697
|
|
186
|
16,585
|
3,218
|
|
187
|
16,401
|
8,753
|
|
188
|
16,330
|
10,933
|
|
189
|
16,291
|
20,629
|
|
190
|
15,851
|
23,170
|
|
191
|
15,579
|
14,110
|
|
192
|
15,450
|
4,868
|
|
193
|
15,319
|
5,803
|
|
194
|
15,081
|
8,165
|
|
195
|
14,552
|
2,844
|
|
196
|
14,334
|
6,101
|
|
197
|
14,026
|
4,688
|
|
198
|
13,329
|
5,518
|
|
199
|
12,792
|
4,111
|
|
200
|
12,770
|
8,874
|
|
201
|
12,746
|
15,186
|
|
202
|
12,677
|
3,962
|
|
203
|
12,538
|
1,451
|
|
204
|
12,232
|
4,051
|
|
205
|
11,886
|
8,647
|
|
206
|
10,867
|
6,403
|
|
207
|
10,722
|
17,576
|
|
208
|
10,498
|
6,795
|
|
209
|
10,493
|
3,293
|
|
210
|
10,208
|
7,101
|
|
211
|
10,147
|
10,144
|
|
212
|
9,900
|
12,375
|
|
213
|
9,470
|
8,342
|
|
214
|
9,280
|
3,799
|
|
215
|
9,218
|
2,889
|
|
216
|
9,204
|
8,367
|
|
217
|
8,347
|
6,547
|
|
218
|
8,160
|
5,035
|
|
219
|
8,019
|
7,552
|
|
220
|
8,017
|
3,117
|
|
221
|
7,745
|
1,994
|
|
222
|
7,656
|
9,511
|
|
223
|
7,614
|
4,880
|
|
224
|
7,564
|
3,643
|
|
225
|
7,408
|
8,256
|
|
226
|
7,339
|
10,814
|
|
227
|
7,247
|
3,369
|
|
228
|
6,708
|
4,633
|
|
229
|
6,679
|
4,951
|
|
230
|
6,522
|
6,767
|
|
231
|
6,465
|
6,575
|
|
232
|
6,430
|
6,695
|
|
233
|
6,098
|
18,143
|
|
234
|
5,874
|
3,248
|
|
235
|
5,456
|
4,848
|
|
236
|
5,373
|
4,744
|
|
237
|
5,304
|
5,087
|
|
238
|
5,300
|
4,082
|
|
239
|
5,228
|
4,543
|
|
240
|
5,115
|
3,475
|
|
241
|
4,958
|
5,463
|
|
242
|
4,652
|
7,054
|
|
243
|
4,497
|
4,232
|
|
244
|
4,346
|
2,249
|
|
245
|
4,305
|
9,932
|
|
246
|
4,108
|
2,525
|
|
247
|
4,015
|
2,463
|
|
248
|
3,977
|
2,259
|
|
249
|
3,823
|
2,695
|
|
250
|
3,800
|
2,017
|
|
251
|
3,644
|
3,671
|
|
252
|
3,571
|
2,958
|
|
253
|
3,556
|
2,401
|
|
254
|
3,490
|
3,894
|
|
255
|
3,325
|
3,757
|
|
256
|
3,227
|
2,953
|
|
257
|
3,224
|
2,570
|
|
258
|
3,194
|
2,446
|
|
259
|
3,149
|
1,536
|
|
260
|
2,886
|
2,633
|
|
261
|
2,761
|
9,845
|
|
262
|
2,721
|
7,583
|
|
263
|
2,628
|
2,257
|
|
264
|
2,497
|
2,996
|
|
265
|
2,425
|
4,377
|
|
266
|
2,396
|
1,118
|
|
267
|
2,283
|
3,686
|
|
268
|
2,160
|
3,562
|
|
269
|
2,157
|
2,694
|
|
270
|
2,104
|
11,105
|
|
271
|
1,999
|
5,418
|
|
272
|
1,887
|
3,546
|
|
273
|
1,647
|
387
|
|
274
|
1,473
|
3,083
|
|
275
|
1,439
|
18,164
|
|
276
|
1,291
|
1,618
|
|
277
|
1,258
|
963
|
|
278
|
1,220
|
2,251
|
|
279
|
1,218
|
1,618
|
|
280
|
1,162
|
2,078
|
|
281
|
1,082
|
414
|
|
282
|
1,059
|
747
|
|
283
|
535
|
205
|
|
284
|
514
|
809
|
|
285
|
489
|
204
|
|
286
|
438
|
212
|
|
287
|
260
|
291
|
|
288
|
150
|
88
|
|
289
|
48
|
183
|
Some info about dubstep
Dubstep is a genre of electronic dance music that originated in South London in the late 1990s. It is characterized by its sparse, syncopated rhythmic patterns with prominent sub-bass frequencies. The genre's roots are firmly planted in the more experimental releases of UK garage, drawing also from elements of drum and bass, broken beat, and dub reggae.
Dubstep began to rise in the early 2000s through influential clubs like Forward>> at the London venue Plastic People, which became a central hub for the scene's growth. The genre gained momentum with the contributions of pioneering labels such as Big Apple, Tempa, and DMZ, the latter being founded by key figures Mala, Coki, and Loefah of the group Digital Mystikz. These artists and labels were crucial in shaping the sound and ethos of early dubstep, emphasizing space, bass, and a mood often described as "dark" or "atmospheric."
The initial dubstep sound was more experimental and less aggressive than what many may associate with the genre today. Tracks frequently featured complex percussion and dark, moody atmospherics over pulsating, weighty basslines. This early style was sometimes referred to as "dubstep's golden age" before the mid-2000s, when the genre began to gain more mainstream recognition.
The international spread of dubstep began in the mid-2000s as the Internet facilitated the dispersal of the music beyond UK borders. Artists like Skream, Benga, and Burial were instrumental in this stage, each bringing a distinct take on the genre. Skream and Benga leaned toward a more accessible approach that appealed to dance floors, incorporating more rhythmic and melodic complexity into their productions. In contrast, Burial’s sound was characterized by a more introspective and atmospheric quality, with haunting vocal samples and a distinctive production style that echoed urban decay and nocturnal isolation. His acclaimed albums, such as "Untrue," played a significant role in garnering critical recognition of dubstep.
As dubstep gained popularity, it also evolved considerably. The late 2000s and early 2010s saw the emergence of a more aggressive form often called "brostep," which found its champion in artists like Skrillex, whose work was characterized by higher tempo and a greater emphasis on "drop" moments featuring harsh bass sounds and complex, screechy high-end. This new phase broadened dubstep’s appeal but also caused some division among enthusiasts, as the new style marked a significant departure from the genre’s origins.
Today, dubstep remains popular worldwide, with major followings in the United States, Canada, and throughout Europe. Festivals and concerts featuring dubstep are common in large cities around the globe, drawing diverse crowds eager for the physical sensation of the genre's characteristic deep bass and the communal experience of its wobble and drop.
As a genre, dubstep demonstrates the dynamic evolution of sound with technological advancements in music production. It remains an exciting and fertile ground for exploration and innovation in electronic music, continuously influenced by and influencing other genres. Whether in its purist form or through its more mainstream iterations, dubstep has indelibly marked the landscape of contemporary music, echoing its roots while continuously looking towards the future.
Dubstep began to rise in the early 2000s through influential clubs like Forward>> at the London venue Plastic People, which became a central hub for the scene's growth. The genre gained momentum with the contributions of pioneering labels such as Big Apple, Tempa, and DMZ, the latter being founded by key figures Mala, Coki, and Loefah of the group Digital Mystikz. These artists and labels were crucial in shaping the sound and ethos of early dubstep, emphasizing space, bass, and a mood often described as "dark" or "atmospheric."
The initial dubstep sound was more experimental and less aggressive than what many may associate with the genre today. Tracks frequently featured complex percussion and dark, moody atmospherics over pulsating, weighty basslines. This early style was sometimes referred to as "dubstep's golden age" before the mid-2000s, when the genre began to gain more mainstream recognition.
The international spread of dubstep began in the mid-2000s as the Internet facilitated the dispersal of the music beyond UK borders. Artists like Skream, Benga, and Burial were instrumental in this stage, each bringing a distinct take on the genre. Skream and Benga leaned toward a more accessible approach that appealed to dance floors, incorporating more rhythmic and melodic complexity into their productions. In contrast, Burial’s sound was characterized by a more introspective and atmospheric quality, with haunting vocal samples and a distinctive production style that echoed urban decay and nocturnal isolation. His acclaimed albums, such as "Untrue," played a significant role in garnering critical recognition of dubstep.
As dubstep gained popularity, it also evolved considerably. The late 2000s and early 2010s saw the emergence of a more aggressive form often called "brostep," which found its champion in artists like Skrillex, whose work was characterized by higher tempo and a greater emphasis on "drop" moments featuring harsh bass sounds and complex, screechy high-end. This new phase broadened dubstep’s appeal but also caused some division among enthusiasts, as the new style marked a significant departure from the genre’s origins.
Today, dubstep remains popular worldwide, with major followings in the United States, Canada, and throughout Europe. Festivals and concerts featuring dubstep are common in large cities around the globe, drawing diverse crowds eager for the physical sensation of the genre's characteristic deep bass and the communal experience of its wobble and drop.
As a genre, dubstep demonstrates the dynamic evolution of sound with technological advancements in music production. It remains an exciting and fertile ground for exploration and innovation in electronic music, continuously influenced by and influencing other genres. Whether in its purist form or through its more mainstream iterations, dubstep has indelibly marked the landscape of contemporary music, echoing its roots while continuously looking towards the future.