Ghanaian pop
Most popular artists in Ghanaian pop
This chart is based on the monthly listeners metric for all artists tagged with the genre ghanaian pop by Spotify. It may contain some errors or some data may not be up to date. You can check the artist profile to update data if necessary.
# | Artist | Monthly Listeners | Followers |
---|---|---|---|
1
|
6,311,520
|
465,766
|
|
2
|
2,579,902
|
650,554
|
|
3
|
2,205,904
|
1,442,814
|
|
4
|
1,148,720
|
488,960
|
|
5
|
975,797
|
255,372
|
|
6
|
957,303
|
395,971
|
|
7
|
879,618
|
179,830
|
|
8
|
630,923
|
219,156
|
|
9
|
565,542
|
491,207
|
|
10
|
543,297
|
32,944
|
|
11
|
514,292
|
188,402
|
|
12
|
267,837
|
111,794
|
|
13
|
267,313
|
387,322
|
|
14
|
214,693
|
68,646
|
|
15
|
208,533
|
29,972
|
|
16
|
207,860
|
194,837
|
|
17
|
202,617
|
262,847
|
|
18
|
194,743
|
137,026
|
|
19
|
133,507
|
25,242
|
|
20
|
124,546
|
6,664
|
|
21
|
97,076
|
345,869
|
|
22
|
95,031
|
181,460
|
|
23
|
65,499
|
5,039
|
|
24
|
63,989
|
15,140
|
|
25
|
59,788
|
129,517
|
|
26
|
49,745
|
20,956
|
|
27
|
49,718
|
54,123
|
|
28
|
47,980
|
103,282
|
|
29
|
44,675
|
3,053
|
|
30
|
43,926
|
101,337
|
|
31
|
41,313
|
108,691
|
|
32
|
40,754
|
5,534
|
|
33
|
39,730
|
159,633
|
|
34
|
38,805
|
57,065
|
|
35
|
36,283
|
47,776
|
|
36
|
35,137
|
12,787
|
|
37
|
35,133
|
34,455
|
|
38
|
32,193
|
1,572
|
|
39
|
32,154
|
3,981
|
|
40
|
30,043
|
8,234
|
|
41
|
29,451
|
72,394
|
|
42
|
27,881
|
9,770
|
|
43
|
26,488
|
1,523
|
|
44
|
25,217
|
26,132
|
|
45
|
24,628
|
4,627
|
|
46
|
23,712
|
107,081
|
|
47
|
21,220
|
18,730
|
|
48
|
18,982
|
14,414
|
|
49
|
16,648
|
3,006
|
|
50
|
16,292
|
1,649
|
|
51
|
13,783
|
3,301
|
|
52
|
13,206
|
26,644
|
|
53
|
11,766
|
15,423
|
|
54
|
11,408
|
5,125
|
|
55
|
11,361
|
1,783
|
|
56
|
11,276
|
25,872
|
|
57
|
10,880
|
23,164
|
|
58
|
10,850
|
1,604
|
|
59
|
10,723
|
11,262
|
|
60
|
10,650
|
6,202
|
|
61
|
10,414
|
2,374
|
|
62
|
10,378
|
7,092
|
|
63
|
9,981
|
4,376
|
|
64
|
9,699
|
910
|
|
65
|
8,412
|
41,270
|
|
66
|
7,982
|
31,938
|
|
67
|
7,965
|
8,727
|
|
68
|
7,624
|
5,553
|
|
69
|
7,594
|
5,889
|
|
70
|
7,540
|
26,029
|
|
71
|
6,567
|
3,655
|
|
72
|
5,672
|
32,428
|
|
73
|
5,303
|
7,574
|
|
74
|
5,266
|
1,004
|
|
75
|
5,068
|
18,163
|
|
76
|
5,050
|
583
|
|
77
|
4,998
|
1,225
|
|
78
|
4,857
|
638
|
|
79
|
3,462
|
660
|
|
80
|
2,666
|
538
|
|
81
|
2,392
|
1,240
|
|
82
|
2,018
|
5,712
|
|
83
|
1,395
|
411
|
|
84
|
1,322
|
6,120
|
|
85
|
1,237
|
592
|
|
86
|
1,173
|
557
|
|
87
|
1,111
|
934
|
|
88
|
1,099
|
2,620
|
|
89
|
1,095
|
319
|
|
90
|
1,059
|
367
|
|
91
|
406
|
274
|
|
92
|
310
|
116
|
|
93
|
139
|
430
|
|
94
|
112
|
16
|
Some info about ghanaian pop
Ghanaian Pop, often known as "Gh Pop," is a vibrant and eclectic genre of music that has evolved from traditional Ghanaian music forms and merged with global music influences to create a distinctive sound that resonates across Ghana and beyond. The genre, which emerged prominently in the early 2000s, represents a fusion of highlife, hip-life, rap, and contemporary R&B, all tailored with local rhythms and dialects to form a unique musical identity. This blend makes Ghanaian Pop not just a mirror of local culture but also a dynamic participant in the global pop scene.
The roots of Ghanaian Pop are deeply intertwined with Highlife and Hiplife music—both genres that significantly molded its soundscape. Highlife merges African rhythms with Western instruments and structure mainly inherited from the colonial era, while Hiplife combines Highlife with hip-hop influences. As international pop and hip-hop further influenced local artists, a new sound was born that focused more on rhythm and everyday experience in its lyrics, growing into what we now recognize as Ghanaian Pop.
The rise of Ghanaian Pop can be credited to technological advancements and the internet, which facilitated the spread of the genre and influenced pop music production with more sophisticated beats and production techniques. Young Ghanaian musicians, now equipped with global musical insights yet retaining a local flavor, began exploring and creating music that appealed to both local and international audiences.
Key figures in the genre include artists like Sarkodie, arguably one of Ghana’s biggest music exports. He blends traditional highlife with modern beats and is known for his rapid-fire rap in the Twi language. Another notable artist is Shatta Wale, whose music often delves into reggae and dancehall alongside Ghanaian pop, offering a gritty commentary on social and political scenarios. Kuami Eugene and KiDi also contribute significantly to the genre. Their tracks are characterized by a silky mixture of highlife’s guitar strings with upbeat rhythms and youthful lyrics, making them popular among the younger crowd.
Ghanaian Pop is primarily consumed in Ghana where it originates, but it enjoys popularity across other West African countries and among the diasporic communities in the UK, the US, and Canada. This widespread resonance is partially due to the relatability of the themes in its music — love, success, and the everyday struggles of life, all portrayed with a characteristic Ghanaian optimism and vibrancy.
The global recognition of Ghanaian Pop was further cemented by collaborations between Ghanaian artists and international megastars. For instance, Beyoncé's collaboration with Shatta Wale on "Already" for her "The Lion King: The Gift" album spotlighted the genre on a global stage. Additionally, the annual Ghana Music Awards provide a platform to honor the achievements of Ghanaian pop artists, thereby nurturing and promoting the further development of the genre.
Ghanaian Pop continues to evolve, blending more genres and pushing creative boundaries. It's a compelling example of how African music can maintain its essence while embracing global trends, making it a significant cultural exporter for Ghana and an exciting exploration ground for international music enthusiasts.
The roots of Ghanaian Pop are deeply intertwined with Highlife and Hiplife music—both genres that significantly molded its soundscape. Highlife merges African rhythms with Western instruments and structure mainly inherited from the colonial era, while Hiplife combines Highlife with hip-hop influences. As international pop and hip-hop further influenced local artists, a new sound was born that focused more on rhythm and everyday experience in its lyrics, growing into what we now recognize as Ghanaian Pop.
The rise of Ghanaian Pop can be credited to technological advancements and the internet, which facilitated the spread of the genre and influenced pop music production with more sophisticated beats and production techniques. Young Ghanaian musicians, now equipped with global musical insights yet retaining a local flavor, began exploring and creating music that appealed to both local and international audiences.
Key figures in the genre include artists like Sarkodie, arguably one of Ghana’s biggest music exports. He blends traditional highlife with modern beats and is known for his rapid-fire rap in the Twi language. Another notable artist is Shatta Wale, whose music often delves into reggae and dancehall alongside Ghanaian pop, offering a gritty commentary on social and political scenarios. Kuami Eugene and KiDi also contribute significantly to the genre. Their tracks are characterized by a silky mixture of highlife’s guitar strings with upbeat rhythms and youthful lyrics, making them popular among the younger crowd.
Ghanaian Pop is primarily consumed in Ghana where it originates, but it enjoys popularity across other West African countries and among the diasporic communities in the UK, the US, and Canada. This widespread resonance is partially due to the relatability of the themes in its music — love, success, and the everyday struggles of life, all portrayed with a characteristic Ghanaian optimism and vibrancy.
The global recognition of Ghanaian Pop was further cemented by collaborations between Ghanaian artists and international megastars. For instance, Beyoncé's collaboration with Shatta Wale on "Already" for her "The Lion King: The Gift" album spotlighted the genre on a global stage. Additionally, the annual Ghana Music Awards provide a platform to honor the achievements of Ghanaian pop artists, thereby nurturing and promoting the further development of the genre.
Ghanaian Pop continues to evolve, blending more genres and pushing creative boundaries. It's a compelling example of how African music can maintain its essence while embracing global trends, making it a significant cultural exporter for Ghana and an exciting exploration ground for international music enthusiasts.