Hyphy
Most popular artists in Hyphy
This chart is based on the monthly listeners metric for all artists tagged with the genre hyphy by Spotify. It may contain some errors or some data may not be up to date. You can check the artist profile to update data if necessary.
# | Artist | Monthly Listeners | Followers |
---|---|---|---|
1
|
3,144,731
|
897,959
|
|
2
|
2,462,888
|
936,270
|
|
3
|
2,144,166
|
1,599,709
|
|
4
|
443,239
|
272,174
|
|
5
|
417,804
|
408,769
|
|
6
|
388,169
|
242,410
|
|
7
|
306,686
|
218,191
|
|
8
|
162,612
|
72,935
|
|
9
|
156,602
|
109,971
|
|
10
|
150,206
|
164,813
|
|
11
|
120,740
|
207,358
|
|
12
|
117,807
|
23,763
|
|
13
|
112,853
|
146,376
|
|
14
|
108,242
|
128,335
|
|
15
|
83,170
|
170,259
|
|
16
|
82,364
|
31,843
|
|
17
|
77,898
|
55,228
|
|
18
|
73,584
|
69,103
|
|
19
|
73,210
|
15,365
|
|
20
|
66,383
|
136,866
|
|
21
|
58,348
|
96,571
|
|
22
|
49,884
|
118,113
|
|
23
|
45,843
|
39,700
|
|
24
|
42,884
|
89,557
|
|
25
|
41,872
|
29,758
|
|
26
|
40,642
|
56,866
|
|
27
|
38,361
|
62,936
|
|
28
|
37,522
|
59,813
|
|
29
|
34,834
|
40,308
|
|
30
|
31,734
|
43,730
|
|
31
|
31,391
|
43,400
|
|
32
|
28,984
|
16,233
|
|
33
|
28,667
|
3,867
|
|
34
|
28,525
|
17,067
|
|
35
|
28,314
|
40,211
|
|
36
|
28,178
|
4,879
|
|
37
|
27,766
|
20,936
|
|
38
|
25,643
|
34,423
|
|
39
|
25,613
|
16,800
|
|
40
|
24,292
|
36,028
|
|
41
|
23,846
|
29,884
|
|
42
|
21,840
|
62,934
|
|
43
|
20,562
|
70,725
|
|
44
|
20,130
|
8,223
|
|
45
|
19,610
|
32,714
|
|
46
|
18,808
|
18,463
|
|
47
|
18,799
|
4,141
|
|
48
|
17,944
|
38,361
|
|
49
|
17,923
|
38,759
|
|
50
|
17,116
|
4,827
|
|
51
|
16,582
|
27,189
|
|
52
|
16,499
|
39,263
|
|
53
|
15,378
|
34,861
|
|
54
|
15,016
|
34,036
|
|
55
|
14,668
|
20,002
|
|
56
|
14,550
|
24,930
|
|
57
|
13,970
|
4,693
|
|
58
|
13,486
|
29,236
|
|
59
|
13,271
|
14,500
|
|
60
|
12,382
|
40,093
|
|
61
|
11,919
|
56,062
|
|
62
|
11,878
|
15,715
|
|
63
|
11,424
|
1,330
|
|
64
|
11,332
|
28,932
|
|
65
|
10,819
|
28,174
|
|
66
|
10,578
|
11,361
|
|
67
|
9,792
|
7,764
|
|
68
|
8,992
|
29,103
|
|
69
|
8,798
|
11,829
|
|
70
|
8,633
|
11,302
|
|
71
|
8,565
|
10,098
|
|
72
|
8,140
|
5,073
|
|
73
|
7,860
|
18,056
|
|
74
|
7,811
|
3,890
|
|
75
|
7,572
|
5,339
|
|
76
|
7,232
|
20,762
|
|
77
|
6,588
|
6,348
|
|
78
|
6,492
|
3,440
|
|
79
|
6,276
|
542
|
|
80
|
6,261
|
2,680
|
|
81
|
6,134
|
2,546
|
|
82
|
6,041
|
6,725
|
|
83
|
6,014
|
11,271
|
|
84
|
5,924
|
20,255
|
|
85
|
5,921
|
4,101
|
|
86
|
5,250
|
4,540
|
|
87
|
5,244
|
3,608
|
|
88
|
4,891
|
10,109
|
|
89
|
4,823
|
13,553
|
|
90
|
4,812
|
11,460
|
|
91
|
4,643
|
28,993
|
|
92
|
4,579
|
7,474
|
|
93
|
3,855
|
13,492
|
|
94
|
3,772
|
25,331
|
|
95
|
3,715
|
5,185
|
|
96
|
3,699
|
11,654
|
|
97
|
3,505
|
6,629
|
|
98
|
3,499
|
7,794
|
|
99
|
3,425
|
3,687
|
|
100
|
3,183
|
8,233
|
|
101
|
3,169
|
1,939
|
|
102
|
3,142
|
2,146
|
|
103
|
2,924
|
11,241
|
|
104
|
2,777
|
2,039
|
|
105
|
2,718
|
12,101
|
|
106
|
2,677
|
3,579
|
|
107
|
2,508
|
6,749
|
|
108
|
2,465
|
5,936
|
|
109
|
2,343
|
6,661
|
|
110
|
2,301
|
15,630
|
|
111
|
2,122
|
5,769
|
|
112
|
1,844
|
5,292
|
|
113
|
1,697
|
3,605
|
|
114
|
1,627
|
7,199
|
|
115
|
1,524
|
8,434
|
|
116
|
1,500
|
6,662
|
|
117
|
1,405
|
7,611
|
|
118
|
1,356
|
6,367
|
|
119
|
1,126
|
4,122
|
|
120
|
1,065
|
4,194
|
|
121
|
1,056
|
6,689
|
|
122
|
1,052
|
4,019
|
|
123
|
1,042
|
1,966
|
|
124
|
886
|
34,832
|
|
125
|
720
|
7,204
|
|
126
|
633
|
4,722
|
|
127
|
550
|
10,794
|
|
128
|
505
|
6,375
|
|
129
|
393
|
9,350
|
|
130
|
346
|
1,930
|
|
131
|
219
|
15,103
|
|
132
|
167
|
2,597
|
|
133
|
45
|
2,199
|
Some info about hyphy
Hyphy is a vibrant and exuberant offshoot of hip-hop that originated in the San Francisco Bay Area of California in the late 1990s and early 2000s. The term "hyphy" is derived from "hyperactive," and appropriately, the music is characterized by its energetic and rhythmic beats, often accompanied by frenetic dancing. The genre represents more than just a style of music; it encapsulates a cultural movement that includes a distinctive dress code, slang, and attitude.
The birth of hyphy music is often credited to the innovative efforts of Bay Area producers and rappers who sought to create a sound that was distinctively different from the dominant West Coast gangsta rap of the time. Producers such as Rick Rock, Droop-E, and E-A-Ski experimented with synthesizer-heavy beats and fast tempos, while artists like Keak da Sneak, Mac Dre, and E-40 popularized the style with their charismatic deliveries and catchy hooks. Mac Dre, in particular, is often celebrated as a pivotal figure in the hyphy movement; his songs and his persona embodied the carefree, exuberant spirit of hyphy, and his influence continues to permeate the genre.
Musically, hyphy tracks are typified by their heavy use of synthesizers, thumping basslines, and clattering drum patterns. These elements combine to create a sound that is both chaotic and danceable. Lyrically, hyphy music often revolves around themes of partying, street life, and the unconventional Bay Area slang that is intrinsic to the hyphy culture. The music's tempo usually hovers around 100 beats per minute, making it faster than typical hip-hop, which adds to its energetic feel.
A quintessential element of the hyphy movement is the concept of "ghost riding" — a practice where individuals dance around and on top of a moving car, often with the driver's door open and the stereo blasting hyphy music. This practice underscores the high-octane and reckless spirit that hyphy music embodies.
Hyphy gained a substantial following in the mid-2000s, with the genre reaching a broader audience through MTV exposure and national radio play. Songs like E-40's "Tell Me When to Go," produced by Lil Jon, brought the hyphy sound to mainstream audiences and helped to solidify the genre's standing within the larger hip-hop community.
While the hyphy movement reached its commercial peak in the mid-2000s, it continues to influence a wide range of artists both within and outside the Bay Area. The genre's emphasis on heavy beats and party-centric themes can be seen in the works of newer artists who incorporate elements of hyphy into their music. Moreover, the spirit of hyphy has infused adjacent genres and influenced artists in other regions, making its mark on the broader hip-hop landscape.
Internationally, hyphy music is most popular in the United States, especially on the West Coast. However, the genre's influence can also be seen in various international music scenes, particularly in places where dynamic and high-energy music forms thrive. As a vibrant representation of Northern California’s urban culture, hyphy remains a significant and distinctive force in the world of hip-hop.
The birth of hyphy music is often credited to the innovative efforts of Bay Area producers and rappers who sought to create a sound that was distinctively different from the dominant West Coast gangsta rap of the time. Producers such as Rick Rock, Droop-E, and E-A-Ski experimented with synthesizer-heavy beats and fast tempos, while artists like Keak da Sneak, Mac Dre, and E-40 popularized the style with their charismatic deliveries and catchy hooks. Mac Dre, in particular, is often celebrated as a pivotal figure in the hyphy movement; his songs and his persona embodied the carefree, exuberant spirit of hyphy, and his influence continues to permeate the genre.
Musically, hyphy tracks are typified by their heavy use of synthesizers, thumping basslines, and clattering drum patterns. These elements combine to create a sound that is both chaotic and danceable. Lyrically, hyphy music often revolves around themes of partying, street life, and the unconventional Bay Area slang that is intrinsic to the hyphy culture. The music's tempo usually hovers around 100 beats per minute, making it faster than typical hip-hop, which adds to its energetic feel.
A quintessential element of the hyphy movement is the concept of "ghost riding" — a practice where individuals dance around and on top of a moving car, often with the driver's door open and the stereo blasting hyphy music. This practice underscores the high-octane and reckless spirit that hyphy music embodies.
Hyphy gained a substantial following in the mid-2000s, with the genre reaching a broader audience through MTV exposure and national radio play. Songs like E-40's "Tell Me When to Go," produced by Lil Jon, brought the hyphy sound to mainstream audiences and helped to solidify the genre's standing within the larger hip-hop community.
While the hyphy movement reached its commercial peak in the mid-2000s, it continues to influence a wide range of artists both within and outside the Bay Area. The genre's emphasis on heavy beats and party-centric themes can be seen in the works of newer artists who incorporate elements of hyphy into their music. Moreover, the spirit of hyphy has infused adjacent genres and influenced artists in other regions, making its mark on the broader hip-hop landscape.
Internationally, hyphy music is most popular in the United States, especially on the West Coast. However, the genre's influence can also be seen in various international music scenes, particularly in places where dynamic and high-energy music forms thrive. As a vibrant representation of Northern California’s urban culture, hyphy remains a significant and distinctive force in the world of hip-hop.