Music Metrics Vault

Indie pop

Most popular artists in Indie pop

This chart is based on the monthly listeners metric for all artists tagged with the genre indie pop by Spotify. It may contain some errors or some data may not be up to date. You can check the artist profile to update data if necessary.

# Artist Monthly Listeners Followers
1
Chappell Roan
40,966,061
4,345,845
2
22,113,178
4,595,515
3
19,485,800
5,582,920
4
17,639,403
7,873,230
5
12,987,333
2,665,987
6
11,945,090
803,517
7
10,204,832
1,145,373
8
10,177,526
2,136,246
9
9,884,618
941,565
10
8,776,200
1,629,164
11
8,402,084
2,040,251
12
8,006,781
1,619,601
13
7,714,199
1,192,098
14
Adrianne Lenker
6,561,107
804,664
15
6,446,190
649,491
16
6,111,476
4,284,010
17
5,871,086
1,011,425
18
5,760,510
1,724,883
19
4,831,496
1,980,101
20
4,310,995
568,046
21
4,258,772
985,887
22
3,953,887
1,018,563
23
The Last Dinner Party
3,617,273
520,833
24
3,523,428
1,200,756
25
3,361,043
1,415,354
26
3,319,353
1,054,041
27
2,785,980
775,709
28
2,779,480
747,278
29
2,726,052
321,356
30
2,626,223
832,242
31
2,452,739
232,906
32
2,396,915
572,054
33
Shelly
2,317,516
121,175
34
2,316,323
231,860
35
2,198,550
782,731
36
Kate Bollinger
2,081,299
102,273
37
1,999,751
289,560
38
1,849,067
270,815
39
Searows
1,768,792
168,200
40
1,765,293
1,037,013
41
1,671,910
316,528
42
Leith Ross
1,651,495
287,032
43
1,540,436
500,596
44
1,509,768
374,878
45
1,486,616
472,649
46
1,473,187
590,988
47
1,466,637
271,194
48
1,393,904
533,589
49
1,243,651
729,638
50
1,201,968
413,026
51
1,133,916
692,867
52
Julien Baker
960,403
503,523
53
Whitney
929,114
272,032
54
Sylvan Esso
920,876
574,275
55
Lucius
907,386
185,092
56
quinnie
893,607
138,721
57
888,772
699,069
58
Orla Gartland
875,261
266,430
59
Julia Jacklin
863,260
307,758
60
Waxahatchee
857,628
238,034
61
821,893
88,637
62
Maya Hawke
815,355
505,901
63
Soccer Mommy
814,688
395,463
64
804,905
358,108
65
Angel Olsen
801,739
493,595
66
Courtney Barnett
770,355
600,513
67
Frances Forever
738,067
135,858
68
Adam Melchor
731,419
117,869
69
Indigo De Souza
628,067
182,205
70
Sarah Kinsley
627,968
276,689
71
Matilda Mann
496,292
97,708
72
Ezra Williams
481,794
45,161
73
Tennis
472,974
305,393
74
HUNNY
470,225
261,076
75
Dora Jar
467,195
67,997
76
Wallice
461,074
64,791
77
The Greeting Committee
453,962
135,056
78
The Aces
453,052
300,320
79
Blondshell
452,914
83,035
80
Caroline Rose
419,665
127,674
81
Rilo Kiley
399,078
235,529
82
The Regrettes
397,861
279,465
83
Maude Latour
359,900
110,469
84
Camera Obscura
354,266
189,403
85
Jay Som
348,828
133,096
86
Snail Mail
338,054
392,747
87
334,694
83,112
88
Samia
333,384
146,496
89
Jenny Lewis
328,199
200,187
90
The Honeysticks
321,049
189,175
91
Claud
320,407
124,891
92
Lunar Vacation
316,676
105,604
93
Sipper
287,904
36,214
94
Better Oblivion Community Center
269,021
132,518
95
The Beths
260,284
155,026
96
Miya Folick
255,440
79,927
97
Barrie
242,054
64,442
98
Harriette
213,699
31,356
99
Babygirl
191,543
49,819
100
Sidney Gish
176,615
103,102
101
Boyish
162,722
47,816
102
Annie DiRusso
153,336
52,740
103
Haley Blais
137,650
50,900
104
girlhouse
113,128
28,454
105
POP ETC
109,907
27,761
106
Katy Kirby
103,002
34,226
107
Laura Elliott
97,943
15,022
108
Sophie Cates
92,868
48,118
109
girlpuppy
80,789
19,719
110
Michi
61,321
12,616
111
Margaret Glaspy
61,310
72,046
112
Phoebe Green
56,620
19,024
113
Eisley
43,046
70,391
114
Deco
28,796
31,364
115
Natalie Prass
28,739
49,847
116
Fosternicole
1,234
257

Some info about indie pop

Indie pop, a subgenre of indie music, radiates a unique blend of whimsical charm and artistic authenticity, primarily emerging in the United Kingdom in the 1980s. While indie music broadly encapsulates a spirit of independence from major commercial record labels, indie pop refines this aesthetic with its melodic, jangly sound that often values quaintness and sincerity over polished, radio-friendly appeal.

The genesis of indie pop can arguably be traced back to the post-punk era, where it diverged from its indie rock sibling with a lighter, more melodic touch. It was heavily influenced by post-punk bands that gravitated towards more melodic and experimental music, moving away from the aggressive sounds of their predecessors. This era saw the push against the mainstream's stringent structures, with bands and artists striving for a more personal connection through music that feature asymmetrical, introspective lyrics coupled with experimental sounds.

One of the hallmark moments in the development of indie pop was the founding of the British independent record label Postcard Records in 1979 by Alan Horne, in Glasgow, Scotland. The label's motto, "The Sound of Young Scotland," became synonymous with fresh, vibrant music. Around the same time, labels like Rough Trade and Creation Records also became significant, championing similar sounds in London and beyond. They facilitated a flourishing environment for bands that would define the genre, such as Orange Juice and The Smiths. The Smiths, in particular, became iconic, with Morrissey’s earnest lyrical stylings and Johnny Marr’s jangly guitar riffs setting a high bar for what indie pop could achieve.

Throughout the 1980s and into the 1990s, indie pop saw waves of variation and influence in different regions. In the United States, bands like R.E.M. and The Breeders contributed to a college rock sound that shared the indie pop ethos, establishing a sector of music that cherished underground, non-mainstream appeal. Meanwhile, in Sweden, bands like The Cardigans, who mixed a sweet pop sensibility with indie style, gained international acclaim, broadening the genre’s appeal and demonstrating its global resonance.

The late 1990s and 2000s witnessed a resurgence and transformation of the genre, adapting to changes in technology, production, and distribution. New bands like Belle and Sebastian from Scotland and Camera Obscura employed classic indie pop elements, such as melodic simplicity and lyrical introspection, blending them with modern sensibilities and broader instrumental palates. These bands maintained close connections with their audiences through more intimate, smaller venues and personal interaction—a key feature of indie pop culture.

Into the 2010s and 2020s, there is a noticeable trend where indie pop overlaps with genres like synth-pop and dream pop. Artists like Alvvays, CHVRCHES, and Tegan and Sara showcase how indie pop integrates electronic elements, proving the genre’s adaptability and enduring appeal. Furthermore, the genre has been embraced around the globe, from the UK and the US to unexpected places like Southeast Asia and Latin America where local bands have infused regional musical influences to shape this globally beloved genre.

The enduring charm of indie pop lies in its dual commitment to musical integrity and avant-garde ingenuity. It attracts listeners who seek out tales of personal experience drenched in clever, often quirky songwriting, and continues to evolve by incorporating new sounds and technologies while staying rooted in its independent origins.