Music Metrics Vault

Indie pop

Most popular artists in Indie pop

This chart is based on the monthly listeners metric for all artists tagged with the genre indie pop by Spotify. It may contain some errors or some data may not be up to date. You can check the artist profile to update data if necessary.

# Artist Monthly Listeners Followers
1
Chappell Roan
42,111,313
3,929,747
2
20,113,976
7,730,452
3
19,726,774
4,317,859
4
19,449,043
5,468,255
5
12,316,882
2,618,850
6
10,659,860
1,107,618
7
9,750,207
880,624
8
9,563,482
2,115,932
9
8,481,419
1,170,856
10
8,390,686
2,006,131
11
8,279,768
1,591,090
12
7,798,709
775,708
13
7,771,429
1,557,710
14
6,709,994
632,155
15
6,194,992
4,261,130
16
5,820,590
974,803
17
Adrianne Lenker
5,613,471
695,436
18
5,070,079
1,978,293
19
4,218,232
559,835
20
3,990,536
1,000,208
21
3,889,838
972,030
22
The Last Dinner Party
3,617,273
520,833
23
3,368,839
742,419
24
3,251,363
1,409,952
25
3,197,038
1,196,891
26
3,119,823
746,492
27
2,930,476
316,956
28
2,617,938
561,907
29
2,613,784
821,776
30
2,457,994
199,737
31
2,446,304
217,660
32
2,270,329
779,454
33
Shelly
1,861,171
91,766
34
1,814,671
266,942
35
1,812,502
1,036,152
36
1,766,875
313,541
37
1,742,843
1,053,310
38
1,738,908
274,763
39
Leith Ross
1,629,163
278,329
40
1,612,454
1,703,891
41
1,549,125
373,848
42
1,523,492
493,006
43
Kate Bollinger
1,504,371
86,362
44
1,491,047
587,037
45
1,443,079
267,512
46
1,432,583
470,969
47
1,416,295
528,691
48
Searows
1,415,115
146,403
49
1,363,999
724,833
50
1,238,014
409,563
51
1,156,077
692,264
52
quinnie
1,031,347
116,565
53
Soccer Mommy
1,029,182
391,958
54
Sylvan Esso
998,541
572,604
55
Lucius
986,581
184,204
56
Frances Forever
946,701
126,007
57
Whitney
908,998
271,426
58
905,619
85,491
59
868,346
699,363
60
Julia Jacklin
864,989
298,635
61
Orla Gartland
857,876
254,783
62
846,625
358,825
63
Maya Hawke
832,808
483,397
64
Adam Melchor
791,294
115,387
65
Angel Olsen
778,575
491,513
66
Sarah Kinsley
760,015
270,058
67
Courtney Barnett
751,296
598,628
68
Waxahatchee
685,338
219,131
69
Indigo De Souza
645,923
163,918
70
Tennis
611,986
299,733
71
Julien Baker
594,392
499,978
72
Blondshell
553,331
71,402
73
HUNNY
521,625
260,132
74
Matilda Mann
521,491
95,805
75
The Greeting Committee
519,397
130,037
76
Caroline Rose
508,336
122,379
77
Jay Som
501,878
130,448
78
The Aces
450,670
291,891
79
The Regrettes
423,350
276,910
80
Jenny Lewis
411,158
195,313
81
403,474
80,077
82
Rilo Kiley
397,700
228,675
83
Claud
390,050
122,430
84
Ezra Williams
378,562
44,922
85
Camera Obscura
368,235
181,017
86
Barrie
362,724
63,020
87
Maude Latour
359,900
110,469
88
Miya Folick
357,746
76,269
89
Dora Jar
357,674
57,440
90
Snail Mail
345,273
387,930
91
Samia
329,966
145,549
92
The Honeysticks
296,342
188,106
93
Harriette
280,002
29,073
94
Lunar Vacation
265,336
98,949
95
The Beths
248,623
154,014
96
Better Oblivion Community Center
243,517
128,430
97
Sipper
232,098
31,997
98
Wallice
223,793
59,229
99
Sidney Gish
191,259
100,626
100
Babygirl
189,094
46,775
101
Boyish
149,515
47,456
102
Haley Blais
139,054
48,119
103
POP ETC
121,220
27,683
104
Sophie Cates
120,355
47,223
105
Annie DiRusso
105,653
48,919
106
Laura Elliott
104,949
14,143
107
Katy Kirby
95,706
33,898
108
girlhouse
87,230
27,039
109
Margaret Glaspy
67,323
71,353
110
girlpuppy
54,842
17,417
111
Phoebe Green
53,218
18,293
112
Deco
36,208
27,201
113
Eisley
36,003
69,417
114
Natalie Prass
33,343
49,529
115
Michi
25,944
11,429
116
Fosternicole
1,234
257

Some info about indie pop

Indie pop, a subgenre of indie music, radiates a unique blend of whimsical charm and artistic authenticity, primarily emerging in the United Kingdom in the 1980s. While indie music broadly encapsulates a spirit of independence from major commercial record labels, indie pop refines this aesthetic with its melodic, jangly sound that often values quaintness and sincerity over polished, radio-friendly appeal.

The genesis of indie pop can arguably be traced back to the post-punk era, where it diverged from its indie rock sibling with a lighter, more melodic touch. It was heavily influenced by post-punk bands that gravitated towards more melodic and experimental music, moving away from the aggressive sounds of their predecessors. This era saw the push against the mainstream's stringent structures, with bands and artists striving for a more personal connection through music that feature asymmetrical, introspective lyrics coupled with experimental sounds.

One of the hallmark moments in the development of indie pop was the founding of the British independent record label Postcard Records in 1979 by Alan Horne, in Glasgow, Scotland. The label's motto, "The Sound of Young Scotland," became synonymous with fresh, vibrant music. Around the same time, labels like Rough Trade and Creation Records also became significant, championing similar sounds in London and beyond. They facilitated a flourishing environment for bands that would define the genre, such as Orange Juice and The Smiths. The Smiths, in particular, became iconic, with Morrissey’s earnest lyrical stylings and Johnny Marr’s jangly guitar riffs setting a high bar for what indie pop could achieve.

Throughout the 1980s and into the 1990s, indie pop saw waves of variation and influence in different regions. In the United States, bands like R.E.M. and The Breeders contributed to a college rock sound that shared the indie pop ethos, establishing a sector of music that cherished underground, non-mainstream appeal. Meanwhile, in Sweden, bands like The Cardigans, who mixed a sweet pop sensibility with indie style, gained international acclaim, broadening the genre’s appeal and demonstrating its global resonance.

The late 1990s and 2000s witnessed a resurgence and transformation of the genre, adapting to changes in technology, production, and distribution. New bands like Belle and Sebastian from Scotland and Camera Obscura employed classic indie pop elements, such as melodic simplicity and lyrical introspection, blending them with modern sensibilities and broader instrumental palates. These bands maintained close connections with their audiences through more intimate, smaller venues and personal interaction—a key feature of indie pop culture.

Into the 2010s and 2020s, there is a noticeable trend where indie pop overlaps with genres like synth-pop and dream pop. Artists like Alvvays, CHVRCHES, and Tegan and Sara showcase how indie pop integrates electronic elements, proving the genre’s adaptability and enduring appeal. Furthermore, the genre has been embraced around the globe, from the UK and the US to unexpected places like Southeast Asia and Latin America where local bands have infused regional musical influences to shape this globally beloved genre.

The enduring charm of indie pop lies in its dual commitment to musical integrity and avant-garde ingenuity. It attracts listeners who seek out tales of personal experience drenched in clever, often quirky songwriting, and continues to evolve by incorporating new sounds and technologies while staying rooted in its independent origins.