Music Metrics Vault

K-pop boy group

Most popular artists in K-pop boy group

This chart is based on the monthly listeners metric for all artists tagged with the genre k-pop boy group by Spotify. It may contain some errors or some data may not be up to date. You can check the artist profile to update data if necessary.

# Artist Monthly Listeners Followers
1
Block B
777,237
993,287
2
2PM
731,816
854,128
3
Beast
552,823
464,893
4
EXO-CBX
492,869
2,502,317
5
SF9
339,701
1,702,516
6
VIXX
322,596
934,296
7
xikers
305,014
422,971
8
B1A4
191,977
554,077
9
TEEN TOP
186,219
398,300
10
MBLAQ
139,388
298,128
11
HIGH4
136,378
63,662
12
Say Yes!
88,740
5,716
13
SUPER JUNIOR-K.R.Y.
69,141
272,120
14
Gguggugi
38,202
3,744
15
FANTASY BOYS
36,427
29,004
16
BTOB 4U
33,509
51,676
17
KNK
29,482
280,673
18
HISTORY
26,187
127,983
19
100%
16,300
171,162
20
NTX
15,180
23,200
21
SUPERKIND
14,236
27,479
22
THE7
13,536
38,353
23
CITI
12,736
10,144
24
HALO
11,859
43,320
25
SUPER JUNIOR-T
11,494
79,130
26
Wanna One - The Heal
11,065
25,550
27
LUNA
10,446
15,172
28
MXM
10,383
161,762
29
THE MAN BLK
8,306
6,257
30
NewKidd
7,220
44,114
31
H&D
7,159
87,363
32
Wanna One - No.1
6,919
25,956
33
Toheart
6,722
28,968
34
BXB
6,395
25,104
35
Lunafly
6,280
28,800
36
JJCC
4,255
76,572
37
Bz-Boys
4,094
31,036
38
TST
3,974
21,621
39
BLANK2Y
3,624
41,287
40
Under Nineteen
3,490
23,360
41
NIK
3,445
9,223
42
Boombastic
3,442
593
43
Mr. Mr.
3,054
20,364
44
TREI
3,001
14,218
45
DIGNITY
2,996
13,721
46
B Of You (B.O.Y)
2,943
23,464
47
HAWW
2,852
17,045
48
MustB
2,738
15,233
49
BTL
2,470
1,758
50
5tion
2,426
2,095
51
BLK
2,382
1,253
52
UNVS
2,177
22,601
53
WE IN THE ZONE
1,939
36,829
54
HyeongseopXEuiwoong
1,913
14,088
55
PATTERN
1,900
6,214
56
JWiiver
1,845
23,021
57
INX
1,818
11,028
58
TEAM 7:00
1,785
1,331
59
D-CRUNCH
1,688
75,561
60
TEAM 20:00
1,658
446
61
MVP
1,626
9,757
62
Wow
1,617
1,850
63
ARGON
1,576
18,758
64
ABLUE
1,535
10,123
65
The Legend
1,470
12,558
66
14U(원포유)
1,387
666
67
N.CUS
1,358
19,024
68
X-PIERS
1,357
6,348
69
TEAM 15:00
1,333
1,600
70
BLACK LEVEL
1,267
13,027
71
KINGDOM
1,204
353
72
DIOS
1,167
1,638
73
IB147
1,155
1,270
74
TOPSECRET
1,155
13,614
75
I1IT
1,151
2,485
76
AWEEK
1,144
8,850
77
W.A.O
1,113
4,004
78
VI'ENX
1,100
7,854
79
APR PROJECT
1,080
1,121
80
DGNA
1,072
1,930
81
TEEN TEEN
1,071
8,788
82
Tritops
1,037
2,027
83
RoaD-B
1,033
6,301
84
E'LAST U
1,031
20,178
85
HNB
1,020
3,987
86
F.able
1,017
2,444
87
WE:A
1,017
3,356
88
CMDM
1,005
10,353
89
UNIT BLACK
1,001
12,600
90
TEAM 8:00
939
711
91
MEGAMAX
890
5,569
92
Like a Movie
826
5,036
93
N.tic
738
2,951
94
MY.st
698
4,859
95
BEAT WIN
635
23,161
96
BXK
562
2,023
97
HBY
561
2,324
98
D.COY
496
2,962
99
boys24
386
8,565
100
14U
361
5,909
101
ZPZG
276
682
102
NTB
264
5,411
103
FISTBUMP
230
774
104
TEAM 10:00
181
263
105
AQA
136
2,281
106
K-Much
97
11,705
107
ASTIN
91
267
108
FL1X
65
1,222
109
5urprise
53
13,508
110
Road Boyz
19
7,572
111
LIMITLESS
1
7,401

Some info about k-pop boy group

K-pop boy groups represent a powerhouse in the global music landscape, blending catchy hooks, synchronized choreography, and a polished image to capture audiences worldwide. Originating from South Korea, the genre of K-pop itself started gaining momentum in the early 1990s, influenced by a mix of Western popular music, Korean musical elements, and a significant focus on visual performance. The "boy group" facet of K-pop, characterized by all-male groups, reached international stardom in the mid-to-late 2000s and has continued to evolve dramatically.

Historically, one of the earliest progenitors of the K-pop boy group phenomenon was H.O.T., which debuted in 1996. Managed by SM Entertainment, one of South Korea's largest entertainment companies, H.O.T. set the blueprint with their combination of catchy melodies, elaborate dance routines, and fashion statements. Following their success, other notable groups like Sechs Kies, Shinhwa, and g.o.d contributed to the initial wave of popularity that defined the foundational years of K-pop.

The second wave, often referred to as "Hallyu," or the Korean Wave, saw the emergence of groups such as TVXQ, Super Junior, Big Bang, and SHINee in the mid-2000s. These groups began to cultivate significant international followings, particularly in Japan and parts of Southeast Asia. The music during this era incorporated a broader array of genres, melding hip-hop, R&B, and EDM with traditional pop structures.

Modern K-pop boy groups like BTS, EXO, and Seventeen represent the genre's explosion into a global phenomenon. BTS, particularly, has transcended traditional market boundaries, achieving unprecedented success on Western music charts, including the United States and Europe. Their social media presence and engagement on platforms like Twitter and YouTube have played a crucial role in their global reach, resonating with international audiences through themes of self-love, mental health, and social issues.

The production of K-pop involves a rigorous trainee system where aspiring idols undergo extensive training in singing, dancing, acting, and language before debuting. This system is partly what sets K-pop apart in terms of the quality and precision of performances. The visual aspect of K-pop, including meticulously planned music videos and fashion, also contributes significantly to its appeal.

The influence of K-pop boy groups extends beyond music and into broader pop culture, impacting fashion, beauty standards, and social attitudes. They frequently serve as ambassadors for major global brands, contribute to charitable causes, and influence fashion trends across the globe.

K-pop boy groups have also played critical roles in diplomatic contexts, often referred to as "soft power" ambassadors by cultural commentators. Their influence was notably recognized in instances like BTS speaking at the United Nations and participating in global campaigns for violence prevention and youth empowerment.

Geographically, while K-pop remains a staple in East and Southeast Asia, its reach now spans the globe, with fervent fan bases in North America, South America, Europe, and the Middle East. This global penetration has been facilitated by the internet and social media, allowing K-pop boy groups to maintain a constant presence in their fans' lives, regardless of geographical boundaries.

In summing up, K-pop boy groups are not just musical entities but cultural phenomena, representing a finely-tuned amalgam of music, performance, fashion, and a global dialogue that continues to grow, inviting music enthusiasts from around the world to explore its dynamic and vibrant landscape.