Music Metrics Vault

Nova canco

Most popular artists in Nova canco

This chart is based on the monthly listeners metric for all artists tagged with the genre nova canco by Spotify. It may contain some errors or some data may not be up to date. You can check the artist profile to update data if necessary.

# Artist Monthly Listeners Followers
1
1,492,697
1,494,164
2
Lluis Llach
89,204
52,023
3
Marina Rossell
32,640
12,684
4
Raimon
22,680
15,483
5
Maria del Mar Bonet
20,161
16,749
6
Roger Mas
17,664
15,231
7
Esquirols
16,878
4,628
8
Ovidi Montllor
16,022
13,879
9
Joan Isaac
14,226
2,232
10
Orquestra Plateria
13,923
4,269
11
Toti Soler
12,270
5,519
12
Al Tall
10,489
6,501
13
Pau Riba
8,539
7,965
14
Xesco Boix
6,891
3,385
15
Companyia Elèctrica Dharma
6,789
8,679
16
Pi de la Serra
5,273
1,469
17
Jaume Sisa
5,232
2,346
18
Núria Feliu
4,926
2,010
19
Guillermina Motta
4,779
1,609
20
Grup De Folk
3,720
1,725
21
Ramon Muntaner
3,709
2,137
22
Jordi Barre
2,021
651
23
Victor Balaguer
1,488
47
24
Manel Camp
1,273
720
25
Teresa Rebull
1,161
290
26
Pere Tapias
976
896
27
Sílvia Comes
752
460
28
Jaume Arnella
751
972
29
Jordi Sabatés
627
679
30
Francesc Burrull
485
116
31
Falsterbo 3
436
644
32
Xavier Ribalta
292
213
33
Guillem d'Efak
292
750
34
Oriol Tramvia
291
230
35
Ia Clua
277
171
36
Rafael Subirachs
249
266
37
Joan Amèric
248
591
38
Maria Cinta
239
345
39
Josep Maria Espinàs
223
253
40
Josep Tero
201
652
41
Francesc Pi De La Serra
183
649
42
Enric Barbat
169
253
43
Glòria
163
21
44
Miquela Lladó
151
177
45
Joan Pau Giné
145
203
46
Ricard Miralles
95
116
47
Remei Margarit
94
87
48
Joan Ramon Bonet
91
55
49
Miquel Porter
78
38
50
Salvador Escamilla
75
79
51
Pere Figueres
46
98
52
Maria Del Carme Girau
42
140
53
Dolors Laffitte
27
44
54
Ramon Sauló
27
72
55
Miquelina Lladó
9
41
56
Marià Albero
6
30
57
Miquel Àngel Tena
5
49

Some info about nova canco

**Nova Cançó: Catalan Music’s Voice of Freedom**

Nova Cançó, translating to “New Song” in Catalan, is an influential music genre and movement that emerged in the Catalonia region of Spain during the late 1950s and early 1960s. This unique genre combines traditional Catalan folk music with modern musical elements, serving as an artistic vehicle for political and social expression, particularly focusing on Catalonia's cultural and linguistic identity.

The Nova Cançó movement was born in a period marked by the oppressive Francoist regime, which sought to suppress Catalan culture, language, and identity. In this context, the genre became not merely a musical style but also a form of cultural and political resistance. The lyrics of Nova Cançó songs often carried covert and overt messages championing freedom, democracy, and Catalan nationalism, resonating profoundly with people facing cultural repression.

The movement was pioneered by artists such as Raimon, who is often credited with bringing the genre to prominence with his performance of "Al vent" in 1962. The song’s simple yet powerful lyrics and melody made it an anthem of resistance and hope among Catalans. Alongside him, other early figures included Joan Manuel Serrat, whose poetic compositions and melodious voice earned widespread acclaim, making him one of the most beloved Catalan musicians. Serrat’s refusal to sing in Spanish at the Eurovision Song Contest in 1968 was a significant cultural and political statement, further etching the importance of Catalan language and identity in his work and the movement at large.

Another key group in the movement was Els Setze Jutges (The Sixteen Judges), formed by intellectuals and musicians, including Serrat and Maria del Mar Bonet. This group was fundamental in promoting the Catalan language through their music and performances, influencing many other artists. Lluís Llach, another prominent figure, brought a more lyrical and poetic dimension to the genre, with songs like "L'Estaca" becoming anthems for freedom not only in Catalonia but internationally.

The influence of Nova Cançó has been profound in Catalan culture, embedding its roots far beyond the boundaries of music and becoming a significant part of the Catalan identity. Its blend of traditional folk music with modern sounds attracted listeners from multiple generations, allowing it to evolve while staying true to its core message of cultural pride and resistance.

Geographically, while the movement is most strongly associated with Catalonia, its impact and relevance spread to other Catalan-speaking areas such as the Balearic Islands and parts of Valencia. Beyond Spain, the messages and sounds of Nova Cançó resonated in other regions experiencing similar struggles, making it a symbol of cultural resistance worldwide.

Over the decades, while the political climate in Spain has transformed, the spirit of Nova Cançó remains alive. New artists and bands continue to draw inspiration from this genre, using it to explore and express modern-day issues with the same fervour. The legacy of its founders continues to influence contemporary Catalan music, and its songs remain beloved by the people.

Nova Cançó is not just a musical genre; it is a powerful example of how art can intersect with politics and become a catalyst for change and identity, echoing the enduring desire for freedom and self-expression. For music enthusiasts, exploring Nova Cançó provides not only an aural pleasure but a deep dive into the cultural resilience and richness of Catalan society.