Music Metrics Vault

Pov: indie

Most popular artists in Pov: indie

This chart is based on the monthly listeners metric for all artists tagged with the genre pov: indie by Spotify. It may contain some errors or some data may not be up to date. You can check the artist profile to update data if necessary.

# Artist Monthly Listeners Followers
1
48,200,142
8,676,837
2
30,978,944
25,270,814
3
26,474,596
4,026,632
4
24,668,068
11,570,190
5
22,617,640
2,080,309
6
22,345,832
10,242,932
7
21,819,112
10,361,780
8
19,599,160
4,444,487
9
16,475,391
7,721,574
10
16,299,595
5,362,672
11
15,566,744
952,289
12
12,723,753
2,528,262
13
12,593,649
5,444,132
14
11,736,917
1,124,363
15
11,598,405
5,957,860
16
11,290,232
2,865,462
17
11,279,354
858,794
18
11,166,884
2,800,077
19
10,683,454
1,067,436
20
9,841,656
978,076
21
9,736,393
2,244,663
22
9,207,689
1,343,083
23
9,039,857
848,737
24
8,882,143
1,055,874
25
8,352,896
3,066,242
26
8,337,705
3,569,637
27
8,169,677
1,338,498
28
7,911,875
1,088,325
29
7,810,218
2,569,449
30
7,758,142
1,612,086
31
7,624,843
2,218,209
32
7,524,743
1,678,677
33
7,494,897
1,264,298
34
7,394,478
4,375,589
35
6,856,008
1,737,211
36
6,014,753
593,997
37
5,944,043
1,265,454
38
5,901,975
4,540,723
39
5,883,739
1,133,841
40
Rio Romeo
5,605,514
583,321
41
5,505,239
698,972
42
5,436,314
601,579
43
5,423,157
1,306,331
44
5,007,293
589,797
45
4,807,725
773,222
46
4,447,258
1,518,957
47
4,259,194
415,217
48
4,100,175
747,840
49
3,988,510
505,454
50
3,814,093
1,192,120
51
3,721,990
235,526
52
3,655,226
1,028,895
53
3,581,130
1,131,548
54
3,336,025
513,517
55
2,818,961
948,814
56
2,794,193
1,367,068
57
2,559,082
249,050
58
2,428,734
2,121,902
59
2,390,063
2,144,786
60
Yaelokre
2,389,340
676,982
61
2,385,508
857,278
62
2,371,594
764,561
63
2,349,192
863,752
64
2,343,418
664,258
65
2,238,334
287,070
66
2,044,735
327,225
67
2,039,403
429,392
68
1,951,905
1,227,681
69
1,943,902
577,291
70
1,926,248
228,640
71
1,860,987
1,061,410
72
1,838,023
725,884
73
1,783,868
342,494
74
Leith Ross
1,756,619
315,854
75
1,600,522
239,253
76
1,565,473
1,091,819
77
1,534,184
546,665
78
1,528,754
494,488
79
1,453,909
649,818
80
1,429,024
494,707
81
The Crane Wives
1,370,549
343,650
82
1,322,310
320,982
83
Dazey and the Scouts
1,271,800
331,307
84
1,262,313
310,692
85
Madds Buckley
1,261,154
191,632
86
1,154,539
406,699
87
1,133,608
377,408
88
1,131,607
1,054,758
89
Hot Freaks
1,073,410
222,865
90
Destroy Boys
1,021,965
540,185
91
late night drive home
947,228
182,757
92
Tom Cardy
915,878
324,752
93
The Orion Experience
902,062
205,884
94
900,082
551,568
95
Sodikken
808,992
536,639
96
The Happy Fits
807,002
234,523
97
795,476
697,990
98
Autoheart
772,417
129,161
99
Cosmo Sheldrake
761,209
369,052
100
759,776
1,134,139
101
GRLwood
727,084
503,802
102
The Wrecks
722,626
188,766
103
722,233
355,880
104
Sushi Soucy
693,727
186,869
105
Rare Americans
657,582
309,667
106
Naethan Apollo
650,051
215,711
107
Jazmin Bean
640,696
739,613
108
Kaden MacKay
639,742
127,351
109
The Brobecks
623,084
186,545
110
Madilyn Mei
618,448
205,316
111
616,209
195,528
112
Teddy Hyde
566,896
104,701
113
Derivakat
555,184
437,069
114
The Unlikely Candidates
515,009
230,327
115
Jukebox The Ghost
482,609
228,726
116
bo en
467,055
276,229
117
Wilbur Soot
443,890
1,308,035
118
Arlie
403,234
89,056
119
Baby Bugs
386,279
178,079
120
James Marriott
358,772
247,933
121
Rory Webley
352,045
100,613
122
The Regrettes
339,927
280,208
123
The Oozes
311,496
181,659
124
The Honeysticks
308,470
188,714
125
Egg
275,978
305,650
126
NOAHFINNCE
205,977
167,345
127
leo.
199,512
46,897
128
WHALES•TALK
188,023
18,225
129
carpetgarden
176,552
119,642
130
Tawnted
154,333
43,967
131
The Scary Jokes
144,733
111,536
132
Thomas Sanders
123,964
191,966
133
Bears In Trees
103,298
141,317
134
Beetlebug
97,737
89,750
135
Addison Grace
89,703
169,632
136
Spence Hood
83,375
29,635
137
Tubbo
81,429
438,556
138
Ricky Jamaraz
46,850
48,012
139
Wilbur Music
13,714
196,930
140
Convent Bonfires
9,930
3,062
141
Wilbur Covers
1,151
46,554

Some info about pov: indie

The music genre "pov: indie" emerged as an eclectic subcategory within broader indie music, characterized primarily by its storytelling quality, personal or “point-of-view” lyrical content, and its blend with lo-fi and electronic subtleties. As a distinctive style, pov: indie began gaining prominence in the late 2000s and early 2010s, especially within online music communities and platforms such as Bandcamp, SoundCloud, and later Spotify and YouTube.

The term "pov: indie" is derived from “point of view,” indicating that the lyrics typically provide a personal or narrative perspective, often introspective or confessional in nature. This genre merges the raw, authentic elements of traditional indie music—such as guitar riffs, experimental beats, and a generally understated production style—with a modern digital influence that includes synthesized sounds and DIY aesthetics.

The rise of pov: indie can be traced back to the influence of internet culture on music production and consumption. Artists in this genre often start by producing music independently, using affordable digital audio workstations and distributing their work online. The intimate, personal nature of the music resonates with young listeners who crave authentic expression and narratives they can relate to on a personal level.

Prominent artists in the pov: indie scene include Clairo and mxmtoon, who began their careers by uploading self-recorded songs to the internet. Clairo’s "Pretty Girl" and mxmtoon’s "Prom Dress" are quintessential examples of pov: indie tracks, where personal storytelling combined with relatable lyrics and minimalist production capture the essence of the genre. Both artists discuss themes common among adolescents and young adults, such as self-discovery, love, and social anxieties, making their music profoundly resonant with a younger crowd.

Geographically, pov: indie enjoys significant popularity in the United States, United Kingdom, Australia, and other Western countries, where digital music consumption and indie cultures are prominent. It particularly resonates with college audiences and metropolitan millennials and Gen Z listeners. However, the accessibility of internet platforms has allowed the genre to gain a global audience, with fans and creators spread across the world.

Live performances and festivals that feature indie artists have also played a crucial role in popularizing the pov: indie style. Events such as SXSW, Coachella, and various local indie music festivals often feature artists from this genre, providing crucial live exposure and helping these artists build a dedicated fan base. The intimate settings typical of indie performances align well with the personal, close-knit vibe of pov: indie music, enabling a unique live connection between the artist and the audience.

In conclusion, pov: indie is not just a musical genre; it is a cultural expression shaped by the digital age. It reflects the shifts in how music is created, shared, and enjoyed in contemporary society. With its roots deeply embedded in internet culture and indie traditions, pov: indie continues to evolve, shaping and being shaped by the personal experiences of its artists and listeners. As more artists and fans engage with this uniquely narrative and introspective style, pov: indie stands as a testament to the continuing innovation in music.